Pesquisando por: "NICOLAS POUSSIN" - Fotoarena - Agência de fotojornalismo

1035_06_710318 Saint Erasmus Martyred, Poussin, Nicolas

1035_06_710310 Gods Inspire Poet, Poussin, Nicolas

908_06_lr2013680 The martyrdom of Saint Erasmus

alb4147970 Ruins of the Palace of the Caesars, plate 18 from Die Römische Ansichten. Joseph Anton Koch; German, 1768-1839. Date: 1810. Dimensions: 233 x 167 mm. Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb2069475 Nicolas Poussin / 'Landscape with Ruins', 1642-1647, French School, Oil on canvas, 72 cm x 98 cm, P02308. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb2069412 Nicolas Poussin / 'Parnassus', 1630-1631, French School, Oil on canvas, 145 cm x 197 cm, P02313. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

ibxsuc10093505 Nicolas Poussin 1594 n 1665 French artist, Historical, digitally restored reproduction from a 19th century original, Record date not stated

akg7906134 Poussin, Nicolas; 1594-1665. "Le Massacre des Innocents" (The Massacre of the Innocents), between 1626 and 1627. Painting, oil painting. PDUT879, Paris, Petit Palais.

akg992771 Germanicus, Gaius Iulius Caesar; Roman commander; 24.5. 15 B.C. - 10.10. 19 A.D. "The Death of Germanicus". (Daphne at Antioch, 10 October 19 A.D.: Germanicus is poisoned by the Syrian governor, his soldiers swear revenge). Copy, 18th century, after the painting by N. Poussin (1594-1665), 1626/38. Oil on canvas, doubled, 143 × 194cm. Art seller van Ham, 2009.

akg7648703 Nicolas Poussin, French, 1594-1665, The Holy Family, 1641, oil on canvas, Unframed: 28 × 22 1/8 inches (71.1 × 56.2 cm).

akg7640053 Allemagne, Berlin, Gemälde Galerie, Nicolas Poussin (1594-1665), Jupiter als Kind, von der Ziege Amalthea genährt, um 1639 (photo juin 2017).

akg4217900 Geschichte / Frankreich / Karikatur. "Les bergers d'Acardie (d'après Poussin)". (Die arkadischen Hirten (nach Poussin); Karikatur auf die franz. Politiker Albert Lebrun, Édouard Daladier und Pierre Laval unter Verwendung des Gemäldes "Et in Arcadia Ego" von Nicolas Poussin; rechts Marianne, Allegorie Frankreichs, mit dem Gesicht des russ. Mannequins Ludmilla Feodoseyevna). Fotomontage von Marinus Jacob Kjeldgaard (1884-1964). Erschienen in der franz. Wochenzeitung "Marianne", Paris, Nr. 320, vom 14.12.1938. Copyright: Marinus Kjeldgaard's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us for more information and to clear the necessary permissions.

akg6155373 France, Paris, Petit-Palais, Nicolas Poussin, 1594-1665, Le Massacre des Innocents, huile sur toile, entre 1626 et 1627.

akg4219024 Publizistik / Zeitungen:. Marianne. Grand hebdomadaire politique et littéraire illustré (franz. Wochenzeitschrift, 26.10.1932 - 28.8.1940; publ. in Paris, letzte Ausgaben (Nr. 400-406) in Lyon). Seite mit Fotomontage von Marinus Jacob Kjeldgaard (1884-1964):. "Les bergers d'Arcadie (d'après Poussin)" (Die arkadischen Hirten (Nach Poussin)). Karikatur auf den frz. Präsidenten Albert Lebrun, den Ministerpräsidenten Édouard Daladier und den ehem. Ministerpräsidenten Pierre Laval unter Verwendung des Gemäldes "Et in Arcadia Ego" von Nicolas Poussin; rechts das russ. Mannequin Ludmilla Feodoseyevna als Personifikation der Marianne. Nr. 320 vom 14.12.1938, S.3. Copyright: Marinus Kjeldgaard's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions.

alb4875466 John Smibert, The Continence of Scipio, ca. 1719-1722, oil on canvas, 45 3/4 in. x 62 5/8 in. (116.21 cm x 159.07 cm), Smibert's painting is a copy of a 1640 painting by the revered French painter Nicolas Poussin. Its subject derives from Roman history. During the Second Punic War, the Roman general Publius Cornelius Scipio Africanus decided to return his war spoils, including the bride of his enemy Allucius, the young prince of the Celtiberians. Scipio's moral fortitude presented an ideal subtext for Poussin's classical interpretation. John Smibert, the copyist, was a portrait painter from Scotland who trained in London and later set out with Dean George Berkeley to found a college in Bermuda. This painting was intended to be part of the college's teaching collection, but when that project fell through, Smibert exhibited it in his Boston studio and art supply store. In Boston it set an example for John Singleton Copley, who admired it. At Bowdoin College since James Bowdoin III's bequest in 1813, the work has contributed to the education of countless generations of students.

alb3432712 Studies of Details from Trajan's Column, ca. 1635, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 12 x 8 7/8 in. (30.5 x 22.5 cm), Drawings, Nicolas Poussin (French, Les Andelys 15941665 Rome).

alb4525084 school of Nicolas Poussin, French, 1594-1665, Adoration of the Shepherds, 17th Century, oil on canvas, Unframed: 39 1/8 × 29 7/8 inches (99.4 × 75.9 cm).

alb4480611 Ceremony of the confirmation, The ceremony of confirmation by a bishop, sitting in front of an altar, performed by a child in the midst of a multitude of parents with other children., night patrol, street, Amsterdam, Haarlemmerpoort (Amsterdam), City Hall of Amsterdam (14th century- 1652), Prinsenhof (Amsterdam), Nicolas Poussin (attributed to), 1604 - 1665, paper, ink, brush, h 98 mm × w 238 mm.

alb3680436 The Rest on the Flight into Egypt. Artist: Nicolas Poussin (French, Les Andelys 1594-1665 Rome). Dimensions: 30 x 25 in. (76.2 x 63.5 cm). Date: ca. 1627.This tenderly poetic picture reveals a side of Poussin not otherwise represented by the Museum's splendid holdings of this artist. During the 1620s Poussin was especially attracted by Venetian painting, studying Titian's great mythological compositions, some of which were in aristocratic collections in Rome. He took the inspiration for the fruit-gathering cherubs and the landscape from Titian's Bacchanals. Museum: Metropolitan Museum of Art, New York, USA.

alb3634701 Saints Peter and John Healing the Lame Man. Artist: Nicolas Poussin (French, Les Andelys 1594-1665 Rome). Dimensions: 49 1/2 x 65 in. (125.7 x 165.1 cm). Date: 1655.At the temple in Jerusalem where the old and infirm beg alms, Peter and John cure a cripple (Acts 3:1-10): "Then Peter said, Silver and gold I have none; but such as I have give I thee: In the name of Jesus Christ of Nazareth rise up and walk." The composition is indebted to Raphael, and the gestures of the central group are reminiscent of Michelangelo's Creation of Adam in the Sistine Chapel. The picture was painted for Monsieur Mercier of Lyons. Museum: Metropolitan Museum of Art, New York, USA.

alb3673657 The Experts. Artist: Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). Dimensions: 18 1/4 x 25 1/4 in. (46.4 x 64.1 cm). Date: 1837.In this satirical work, first exhibited at the Paris Salon of 1839, elegantly dressed "experts" examine a landscape in the style of the seventeenth-century painter Nicolas Poussin. Decamps's generation, including such figures as Théodore Rousseau and Jules Dupré, sought to challenge the prevailing view that the art of the past should dictate contemporary taste.Scenes in which monkeys are engaged in human activities--singeries in French--are part of a tradition that can be traced to Antiquity. Museum: Metropolitan Museum of Art, New York, USA.

alb3604125 Heroic Landscape with Rainbow. Artist: Joseph Anton Koch (Austrian, Obergibeln bei Elbigenalp 1768-1839 Rome). Dimensions: 42 3/4 x 37 3/4 in. (108.6 x 95.9 cm). Date: 1824.The classically-trained painter Joseph Anton Koch was a father-figure to many German-speaking artists who visited Rome in the early nineteenth century. He renewed the genre of heroic landscape painting, which had been established by the seventeenth-century French masters Claude Lorrain and Nicolas Poussin. Koch's fame rests on this iconic image, which he referred to as a "Greek landscape." It is the fourth and final version of a composition he first painted in 1805 (Staatliche Kunsthalle, Karlsruhe). Museum: Metropolitan Museum of Art, New York, USA.

alb3601242 A Classical Landscape. Artist: Sébastien Bourdon (French, Montpellier 1616-1671 Paris). Dimensions: 27 1/2 x 36 1/4 in. (69.9 x 92.1 cm). Date: probably 1660s.Bourdon's rigorously structured classical landscapes, such as this one, were modeled on those of Nicolas Poussin. In this landscape the painter quoted ancient and contemporary works of art. The statue of a horse at the left is a direct citation of one of the statues of the Dioscuri on top of the Quirinal Hill in Rome. The dancers at the right, instead, derive from Poussin's Bacchanal (now in the National Gallery, London). Museum: Metropolitan Museum of Art, New York, USA.

alb3655837 Mont Sainte-Victoire and the Viaduct of the Arc River Valley. Artist: Paul Cézanne (French, Aix-en-Provence 1839-1906 Aix-en-Provence). Dimensions: 25 3/4 x 32 1/8 in. (65.4 x 81.6 cm). Date: 1882-85.The distinctive silhouette of Mont Saint-Victoire rises above the Arc River valley near the town of Aix. To paint this scene, Cézanne stood close to Montbriand, his sister's property, at the top of the hill just behind her house; the wall of the neighboring farmhouse is barely visible. Cézanne sought to reveal the inner geometry of nature, "to make of Impressionism something solid and durable, like the art of museums." Indeed the railroad viaduct that cuts throught this pastoral scene is evocative of a Roman aqueduct, recalling paintings by Nicolas Poussin. Museum: Metropolitan Museum of Art, New York, USA.

alb3615534 Evening: Landscape with an Aqueduct. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: 98 1/2 x 86 1/2 in. (250.2 x 219.7 cm). Date: 1818.This work is one of a projected set of four monumental landscapes representing the times of day that Gericault painted in his Paris studio. (Only three were completed.) Conceived as a decorative ensemble, the paintings fuse souvenirs of ruins in the Italian countryside, which the artist had visited in 1816 and 1817, with the grand manner exemplified by past masters Nicolas Poussin and Joseph Vernet. The stormy sky and turbulent mood of this picture exemplify notions of the Sublime and the aesthetic of the emerging Romantic movement. Museum: Metropolitan Museum of Art, New York, USA.

alb3616437 Blind Orion Searching for the Rising Sun. Artist: Nicolas Poussin (French, Les Andelys 1594-1665 Rome). Dimensions: 46 7/8 x 72 in. (119.1 x 182.9 cm). Date: 1658.For his depiction of the gigantic hunter, painted for Michel Passart, Poussin drew on the Greek writer Lucian: "Orion who is blind, is carrying Cedalion, and the latter, riding on his back, is showing him the way to the sunlight. The rising sun is healing [his] blindness." Poussin also studied the sixteenth-century commentary on the tale by Natalis Comes that affords a meteorological interpretation. He therefore added Diana, standing upon the clouds that wreathe Orion's face, symbol of the power of the moon to gather the earth's vapors and turn them into rain. Museum: Metropolitan Museum of Art, New York, USA.

akg155097 Poussin, Nicolas. 1594-1665. "The Death of Sapphira", c. 1654/56. (Acts 5,11). Oil on canvas, 122 × 199cm. Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.

les40110820 L'hiver ou le deluge-winter or the Flood. 1660-1664 Canvas, 118 x 160 cm Inv. 7306. Author: NICOLAS POUSSIN. Location: Louvre, Dpt. des Peintures, Paris, France.

les40110839 L'extreme onction-the extreme unction, from the " Dal Pozzo sacraments", a series of seven paintings, done before 1642 for Cassiano dal Pozzo (1588-1657). Canvas, 95,5 x 121 cm. Author: NICOLAS POUSSIN. Location: Belvoir Castle, Duke of Rutland, Grantham, Great Britain.

les40110846 Le jugement de Salomon-Solomon's judgement, 1649 Canvas, 101 x 150 cm. Author: NICOLAS POUSSIN. Location: Louvre, Dpt. des Peintures, Paris, France.

alb3904893 Cephalus and Aurora. Painting. Oil on canvas. Height: 96.9 cm (38.1 in); Width: 131.3 cm (51.6 in). Author: NICOLAS POUSSIN.

alb9869535 Nicolas Poussin, French history and landscape painter of the classical French Baroque style, 1594-1665. Copperplate stipple engraving after a profile portrait by Louis Ferdinand Elle the Elder from Francis Fitzgeralds The Artists Repository and Drawing Magazine, Charles Taylor, London, 1785.

alb9878693 Profile portrait of Nicolas Poussin, 1594-1665, leading history and landscape painter of the classical French Baroque style, who spent most of his working life in Rome. Nicolo Poussin. Tinted etching within a decorative border by John Girtin from John Girtins Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. MCreery, London, 1817.

alb3699918 Nicolas Poussin. Dimensions: sheet (trimmed within plate mark): 15.3 x 12.2 cm (6 x 4 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Clouet.

akg616078 Poussin, Nicolas. 1594-1665. "Helios and Phaeton with Saturn and the Four Seasons," 1630. (Phaeton asks Helios to entrust the Sun chariot to him; - Ovid, Met. II, 31ff.). Oil on canvas, 125 × 155.7 cm. Inv. no. 478. Museum: Berlin, SMB, Gemäldegalerie.

akg994906 Ludwig XIV., König von Frankreich (1643-1715); 1638-1715. /-Ausstellung "Louis XIV, l'homme et le roi", Schloss Versailles, 20.10.2009-7.2. 2010: zwei Ecktischchen von A.Ch.Boulle, Landkrarte Frankreichs von F.Couplet, Armillarsphäre von J.Martinot, Gemälde von Nicolas Poussin und Jabopo Bassoano (Paris, Louvre).-.

alb4226056 'Landscape with a Portico'. France, Between 1642 and 1645. Dimensions: 12,2x18,6 cm. Museum: State Hermitage, St. Petersburg. Author: Nicolas Poussin (? ).

akg427161 Poussin, Nicolas; French painter; Les Andelys June 1594 - Rome 19.11.1665. Portrait bust. Sculpture, 1782, by André Segla. (1748-1783). Marble. Rome, Protomoteca Capitolina. Museum: Rome, Protomoteca Capitolina.

akg1087707 Poussin, Nicolas; franz.Maler; Les Andelys Juni 1594-Rom 19.11.1665.-Porträtbüste Nicolas Poussins am Haupteingang des École Nationale Superieure des Beaux-Arts in Paris, Rue Bonaparte (Gegenstück Büste von Pierre Paul Puget (1620-1694); Skulpturen, 1838, von Michel-Louis Victor Mercier ( 1810-1894)).-Foto, Juli 2010.

akg1087706 Poussin, Nicolas; franz.Maler; Les Andelys Juni 1594-Rom 19.11.1665.-Porträtbüste Nicolas Poussins am Haupteingang des École Nationale Superieure des Beaux-Arts in Paris, Rue Bonaparte (Gegenstück Büste von Pierre Paul Puget (1620-1694); Skulpturen, 1838, von Michel-Louis Victor Mercier ( 1810-1894)).-Foto, Juli 2010.

alb2069936 Nicolas Poussin / 'Atalanta and Meleager's Hunt', 1634-1639, French School, Oil on canvas, 160 cm x 360 cm, P02320. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb4221678 'Tancred and Erminia'. France, Late 1620s - early 1630s. Dimensions: 98,5x146,4 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.

akg5213167 Sandberg, Johan Gustaf; 1782-1854. "Fünf Künstler", undatiert. (V.l.n.r.: Poussin, Raffael, Rubens, Dürer, Rembrandt). Öl auf Leinwand, 48 x 60 cm. Inv.: NM 7003. Stockholm, Nationalmuseum.

akg364891 Poussin, Nicolas. 1594-1665, School. "The Holy Family with Saint Elisabeth and John the Baptist,". undated. Oil on canvas, 65.6 × 48.6 cm. Pavlovsk, Imperial Palace. Museum: Pavlovsk, Imperial Palace.

orz142664 'Noli me tangere', ca. 1657, Oil on panel, 47 cm x 39 cm, P02306. Author: NICOLAS POUSSIN. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. MARY MAGDALENE. CRISTO RESUCITADO.

alb3528523 Holy Family on the Steps, 1668, Engraving and etching, sheet: 14 5/8 x 19 1/2 in. (37.2 x 49.5 cm), Prints, Claudine Bouzonnet Stella (French, Lyons 16361697 Paris), After Nicolas Poussin (French, Les Andelys 15941665 Rome).

alb9643615 Self-portrait. Museum: Musee du Louvre, Paris. Author: NICOLAS POUSSIN.

alb9643102 Echo and Narcissus. Museum: Musee du Louvre, Paris. Author: NICOLAS POUSSIN.

alb9643584 Virgin Mary appears to Saints James. Museum: Musee du Louvre, Paris. Author: NICOLAS POUSSIN.

ado00051457 "The Rape of the Sabine Women". Oil on canvas by Nicolas Poussin (1594-1665), ca. 1637-1638. Paris, Muse du Louvre.

ado00064882 Studies of a woman wearing jewelry. Engraving after Nicolas Poussin.

ado00064880 Studies of a woman wearing jewelry. Engraving after Nicolas Poussin.

akg8690631 Eustache Le Sueur, French painter, 1616 or 1617-1655. A Reclining Female Figure amid Ruins, c. 1640s (originally attributed to Nicolas Poussin). Oil on canvas, 28.2 x x44.9 cm. Tokyo, Fuji Art Museum.

alb2942502 The four seasons: Winter (The Flood), 1660-1664, by Nicolas Poussin (1594-1665), oil on canvas, 117x160 cm. France, 17th century. Location: Paris, Musée Du Louvre.

alb1970566 The finding of Moses, 1638, by Nicolas Poussin (1594-1655), oil on canvas, 93.5 x 121 cm. Location: Paris, Musée Du Louvre.

alb1988863 The plague of Ashdod, 1630-1631, by Nicolas Poussin (1594-1655), oil on canvas, 148x198 cm. Location: Paris, Musée Du Louvre.

alb4026351 The shepherds of Arcadia, after a painting by Nicolas Poussin, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 512, May 4, 1844. Location: Milan, Museo Nazionale della Scienza e della Tecnica 'Leonardo Da Vinci (Science and Technology Museum).

alb2942844 Death of Sapphira, wife of Ananias, who fell burning at St Peter's feet, ca 1652, by Nicolas Poussin (1594-1665), oil on canvas. France, 17th century. Location: Paris, Musée Du Louvre.

akg7005562 Nicolas Poussin (1594 - 1665). Achille parmi les filles du roi Lycomède à Skyros. Huile sur toile, vers 1651. Musée des Beaux Arts de Boston.

akg7046899 Christ and the woman taken in adultery, prints after paintings by Nicolas Poussin, Audran, Gérard, 1640-1703, Poussin, Nicolas, 1594?-1665, 1668-1679.

alb1970607 The Great Bacchanal with a lute player, by Nicolas Poussin (1594-1655), oil on canvas, 121x175 cm. Location: Paris, Musée Du Louvre.

akg1031834 Poussin, Nicolas; 1594-1665. "Numa Pompilius and the nymph Egeria", 1631/1633. Oil on canvas, 75 x 100 cm. Inv. 301. Museum: Musée Condé., CHANTILLY.

alb2092511 Nicolas Poussin (1594-1665). French painter. Midas and Bacchus, after 1624. Alte Pinakothek. Munich. Germany.

alb2092508 Nicolas Poussin (1594-1665). French painter. Lamentation of Christ, ca. 1627. Alte Pinakothek. Munich. Germany.

akg832058 Isabella Clara Eugenia, infanta (daughter of King Philipp II of Spain), with her husband Albert VII, Archduke of Austria joint sovereign of Spanish Netherlands; 1566-1633. Painting (replica), beginning of the 17th cent., by Frans Pourbus the Younger (1569-1622). Oil on wood, 60 x 42 cm. Inv.Nr. 79.6. Museum: Groeningemuseum., BRUGES.

orz071033 Arcadian Shepherds - 17th century - 85x121 cm - oil on canvas. Author: NICOLAS POUSSIN. Location: LOUVRE MUSEUM-PAINTINGS. France.

les40120704 Reclining Venus and Amor. Oil on canvas (1722-1728) 71 x 96 cm Inv. 721. Author: NICOLAS POUSSIN. Location: Staatl. Kunstsammlungen, Alte Meister, Dresden, Germany.

les40110437 Le triomphe de Flora (The triumph of Flora). Oil on canvas (1627-1628) Inv. 7298. Author: NICOLAS POUSSIN. Location: Louvre, Dpt. des Peintures, Paris, France.

alb9522287 Landscape with three shepherds and a woman. They discover an ancient sarcophagus with an inscription in Latin: 'Et in Arcadia ego'. In the margin a caption in French. Landscape with shepherds near an ancient sarcophagus: The Souvenir of the Mortality in the Environment of the Prosperity of Life., print maker: Bernard Picart, (mentioned on object), after: Nicolas Poussin, (mentioned on object), Paris, 1694, paper, etching, engraving, h 260 mm × w 387 mm.

alb3733649 Death of Adonis. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

alb9524408 Nicolas Poussin (1594-1665), painter, 1803, Dumarest, Rambert, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 3.5 cm, Weight (type dimension): 20.33 g.

alb9506843 Nicolas Poussin (1594-1665), 1797, Dumarest, Rambert, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.7 cm.

alb9492773 Nicolas Poussin (1594-1665), 1797, Dumarest, Rambert, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.7 cm.

alb9475923 Portrait of Pope Clement IX Bust, slightly to left, in octagonal frame Clemens IX is wearing his papal robe and stole The print has a Latin caption and the coat of arms of the Vatican, Portrait of Pope Clement IX, print maker: Frederik Bouttats (de Jonge), (mentioned on object), after: Nicolas Poussin, publisher: Theodor van Merlen, (mentioned on object), print maker: Antwerp, after: Rome, (possibly), publisher: Antwerp, 1667, paper, engraving, w 113 mm × h 162 mm.

alb9477253 Gathering the manna in the desert., print maker: Henri Testelin, after design by: Nicolas Poussin, Franse kroon, (mentioned on object), France, 1639 - 1695, paper, etching, height 325 mm × width 450 mm.

alb9474397 Landscape with three monks, Mountainous landscape with three meditating monks in center below., print maker: Louis de Châtillon, print maker: anonymous, after painting by: Nicolas Poussin, (mentioned on object), 1649 - 1734, paper, etching, height 311 mm × width 444 mm.

alb9469275 The Holy Family rests in front of a building in a landscape. Angels bring food and water. Two floating putti scatter flowers. In the background on the right an elephant, resting on the flight to Egypt., print maker: Raphael Morghen, (mentioned on object), intermediary draughtsman: Stefano Tofanelli, (mentioned on object), after: Nicolas Poussin, (mentioned on object), Rome, 1768 - 1833, paper, engraving, h 538 mm - w 631 mm.

alb9467187 Nicolas Poussin (1594-1665), painter, 1817, Dubois, Jules Charles, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 4 cm, Weight (type dimension): 37.88 g.

alb9451834 Allegorical performance with female personifications of the four seasons dancing to music made by Father Time. In the foreground on the right a boy with an hourglass, a reference to the passing of time. In the foreground left a naked boy blowing bubbles, a reference to the temporality of life. The boy is sitting in front of a hermit with an old and a young face. On the right an empty pedestal in front of a statue or monument, a reference to the transience of fame. In the sky the Sun God Apollo floats on his solar car, The Dance of Time Ludimus interea celeri nos ludimur hora., print maker: Raphael Morghen, (mentioned on object), intermediary draughtsman: Stefano Tofanelli, (mentioned on object), after: Nicolas Poussin, (mentioned on object), Rome, 1768 - 1833, paper, engraving, h 535 mm - w 622 mm.

alb9443656 Nicolas Poussin (1594-1665), painter, 1803, Dumarest, Rambert, Engraver in medals, Array, Numismatics, Medal, Dimensions - Work: Diameter: 3.5 cm, Weight (type dimension): 20.33 g.

alb9436668 Two satyrs spying on a nymph that has fallen asleep on a resting bed between trees, Two satyrs spying on a sleeping nymph, draughtsman: Jean Antoine Watteau, (rejected attribution), Nicolas Poussin, 1705 - 1721, paper, chalk, brush, pencil, h 270 mm × w 370 mm.

alb9429618 Top right printed number 9. Hercules and the bull of Crete Etchings after drawings from the Br, print maker: Matthias Oesterreich, (mentioned on object), Nicolas Poussin, (mentioned on object), Dresden, 1752, paper, etching, h 186 mm × w 228 mm.

alb9434162 Nicolas Poussin (1594-1665), 1797, Dumarest, Rambert, Array, Numismatics, Medal, Dimensions - Work: Diameter: 5.7 cm.

alb9418876 A group of two women in: Theseus finds his father's sword, after: Nicolas Poussin, draughtsman: anonymous, Italy, 1630 - 1670, paper, h 253 mm × w 163 mm.

alb9396304 The Hesperides Nymphs offering to the god of Lake Garda the first fruits of the lemons which grow on its banks according to Nicolas Poussin (Dutuit p. 35, Le Blanc 71), Bloemaert, Cornelis II (the Younger), Graveur, Poussin, Nicolas, Author of the model, In 1641, 17th century, Print, Graphic arts, Interpretation Print, Burin, Dimensions - Work: Height: 30 cm, Width: 20.7 cm.

alb4127047 Youth gives a chalice to a woman on a throne. Draughtsman: anonymous. Draughtsman: Jacob de Wit (rejected attribution). Intermediary draughtsman: Nicolas Poussin (rejected attribution). Dating: 1600 - 1699. Measurements: h 195 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

alb9383643 Die Römischen Ansichten (Views of Rome)/ Valle Garigliano vicino Olevano., Joseph Koch, artist, 1810, Italy, etching, Joseph Anton Koch (17681839) was an Austrian painter of the Neoclassical and later the German Romantic movements. He is probably the most significant Neoclassical landscape painter. Koch was influenced by the style of Nicolas Poussin (15941665), which he sought to revive, informed by his own vision. Koch belonged to a generation of artists that used empirical images of nature in idealised compositions, and in doing so he romanticised nature. He trained at the Hohe Karlsschule (military academy), in Stuttgart from 1785 to 1791. However, he rejected the restrictive and outmoded teaching methods and he left the school in 1791 for Strasbourg.

alb9331715 Die Römischen Ansichten (Views of Rome)/ Veduta d'una parte di Roma Antica., Joseph Koch, artist, 1810, Italy, etching, Joseph Anton Koch (17681839) was an Austrian painter of the Neoclassical and later the German Romantic movements. He is probably the most significant Neoclassical landscape painter. Koch was influenced by the style of Nicolas Poussin (15941665), which he sought to revive, informed by his own vision. Koch belonged to a generation of artists that used empirical images of nature in idealised compositions, and in doing so he romanticised nature. He trained at the Hohe Karlsschule (military academy), in Stuttgart from 1785 to 1791. However, he rejected the restrictive and outmoded teaching methods and he left the school in 1791 for Strasbourg.

alb9340347 Die Römischen Ansichten (Views of Rome)/ SS. Giovanni e Paolo in Roma., Joseph Koch, artist, 1810, Italy, etching, Joseph Anton Koch (17681839) was an Austrian painter of the Neoclassical and later the German Romantic movements. He is probably the most significant Neoclassical landscape painter. Koch was influenced by the style of Nicolas Poussin (15941665), which he sought to revive, informed by his own vision. Koch belonged to a generation of artists that used empirical images of nature in idealised compositions, and in doing so he romanticised nature. He trained at the Hohe Karlsschule (military academy), in Stuttgart from 1785 to 1791. However, he rejected the restrictive and outmoded teaching methods and he left the school in 1791 for Strasbourg.

alb9373982 Die Römischen Ansichten (Views of Rome)/ All'acqua di S. Giorgio, in Roma., Joseph Koch, artist, 1810, Rome, etching, Joseph Anton Koch (17681839) was an Austrian painter of the Neoclassical and later the German Romantic movements. He is probably the most significant Neoclassical landscape painter. Koch was influenced by the style of Nicolas Poussin (15941665), which he sought to revive, informed by his own vision. Koch belonged to a generation of artists that used empirical images of nature in idealised compositions, and in doing so he romanticised nature. He trained at the Hohe Karlsschule (military academy), in Stuttgart from 1785 to 1791. However, he rejected the restrictive and outmoded teaching methods and he left the school in 1791 for Strasbourg.

alb3732035 Modello for a Ceiling: Diana and the Dead Endymion, the Judgment of Paris, and the Death of Adonis. Dimensions: overall: 32 x 31.5 cm (12 5/8 x 12 3/8 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: NICOLAS POUSSIN.

alb3744998 Road along a Winding River. Dated: c. 1648?. Dimensions: overall: 10.7 x 16.5 cm (4 3/16 x 6 1/2 in.). Medium: pen and brown ink, squared in black chalk, on laid paper. Museum: National Gallery of Art, Washington DC. Author: NICOLAS POUSSIN.

alb3722262 Female Roman Statue Seen from the Back. Dimensions: overall (lunette): 25 x 11.9 cm (9 13/16 x 4 11/16 in.). Medium: pen and brush with brown ink over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Nicolas Poussin.

alb3724045 Figures Bathing in a Stream. Dimensions: overall: 23.8 x 18.2 cm (9 3/8 x 7 3/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Nicolas Poussin.

alb4141550 Diana and Callisto. Possibly School of Nicolas Poussin; French, 1594-1665. Date: 1700-1735. Dimensions: 190 × 244 mm. Black chalk on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4140242 Drunken Silenus Satyr and Nymphs. Possibly Nicolas Poussin; French, 1594-1665. Date: 1614-1665. Dimensions: 399 × 560 mm. Brush and black and gray wash, heightened with lead white (discolored), over black chalk on tan laid paper, perimeter mounted on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb9169749 The Triumph of Pan. Museum: Musee du Louvre, Paris. Author: NICOLAS POUSSIN.

alb4225353 'Baptism'. France, 1646 (?). Dimensions: 16,5x25,5 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.

alb4225210 'Crossing the Red Sea'. France, 1647 (?). Dimensions: 18,8x32,5 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.

alb4226189 'Conversion of Saul'. France, 1649/1650. Dimensions: 11,2x18,4 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.